Bryan de la Cerda plays the Hang in Sayulita, Nayarit, Mexico. De la Cerda practices the percussion instrument in the street to share his music with passersby. He says, “Music has the power to fill our lives with beauty.”
Jorge Nava, who rescues cats with his wife, feeds a 2-week-old kitten during a course on basic care for newborn dogs and cats in Mexico City. Animal abandonment tripled during the COVID-19 pandemic, and Nava says the course will enable people to help rescuers.
Neri Cernas, a member of the Zapotec artists collective Tlacolulokos, paints clouds around a thunderbird, a sacred animal for the Anishinaabe people in North America, in the Jalatlaco neighborhood, Oaxaca, Mexico. The artists have worked to represent indigenous groups through a mural project called “Our Sun Has Left.”
Dylan, 6, left, and Amilcar, 10, right, walk down the road with their mother in Chiapas, Mexico, as part of a caravan of people trying to walk to the United States. Around 700 people from Guatemala, Haiti, Honduras, Cuba, Nicaragua, Venezuela and El Salvador began their journey from Tapachula, Mexico.
Areli Jaqueline Luna Santiz, 10, peers at Jezabel Berenice Pérez Sánchez as she learns how to make piñatas at the North Zone Cultural Center in San Cristóbal de Las Casas, Chiapas, Mexico. Traditional piñatas, which are typically filled with fruit or small gifts, are commonly used during celebrations in Mexico.
Ceramicist Natalia Bolaños paints a clay frog for a vase in San Andrés Huayapam, Oaxaca, Mexico. Bolaños creates sculptural art and functional works, such as mugs adorned with octopuses, bottles full of rabbits, armadillo earrings, and dishes decorated with beetles.
INVA, a member of the collective INVASORIX, writes a message on a bathroom mirror at the Carrillo Gil Art Museum as part of the exhibit “Tiempo Compartido” (Shared Time) in Mexico City. “We place messages that we want to share with the people of Earth,” says INVA, who requested to be identified by her artistic name. “Messages against discrimination, racism and the oppression that we’ve found on this planet.”
Sara Ramírez dances with fire on the beach in San Francisco, Nayarit, Mexico. Ramírez, a professional dancer for 20 years, says dancing with fire requires one to control space, strength, fear and speed: “Every dance possesses a hidden medicine.”
Elizabeth Moya, right, and Debra Pellot organize donations at the Fundación Lazos de Amor, Inc. (Ties of Love Foundation, Inc.) in Isabela, Puerto Rico. The essential items and supplies are part of a campaign to help those affected by the earthquake in Haiti on Aug. 14, 2021.
Monique Laguerre covers her youngest son’s schoolbooks in Carrefour, Haiti. Laguerre covers the books at the beginning of each school year to prevent them from being damaged and to avoid the additional expense of purchasing new ones during the semester.
Marcelo Bavutti, right, registers voters and gives them envelopes for ballots while Luis Bringas Campos, an election supervisor, sits next to him at a school in Buenos Aires, Argentina. During the open primary, voters had to bring pens to sign the form and place their IDs on a tray to avoid contact with poll workers.
From left, Manuel Hernández, Ricardo Díaz and Luis Manuel Santiago, members of a marimba band, perform in the central plaza in San Cristóbal de Las Casas, Chiapas, Mexico. The band used to get financial support from the municipal authorities, but the funds were suspended during the coronavirus pandemic. They now rely on tips from tourists and locals.
Antonio Cortés, director of the Museo Panteón de San Fernando (Cemetery of San Fernando Museum), leads a tour with his puppet, Nando, a character created in honor of the cats that inhabit the cemetery. The Mexico City museum recently reopened after four years of closure. Cortés says, “Recovering a space in the Guerrero neighborhood isn’t just about opening a museum. It’s also about reclaiming a social and cultural space to support the social fabric, so that we can contribute to quality of life and cultural activities.”
Diego Calixto Hilario, 7, picks pericón, a type of marigold, in the countryside in Chilpancingo de los Bravo, Guerrero, Mexico. Pericón is related to the cempasúchil flower, a traditional decoration for the country’s annual Día de Muertos (Day of the Dead) celebrations.
Yaretzi Ramos, 11, practices slalom, a style of skating, during a class at a public park in southern Mexico City. “I like that it’s a good challenge and that you can make progress very quickly,” Yaretzi says. Classes were suspended for nearly a year due to coronavirus restrictions, but the pandemic also brought new students, who joined in search of outdoor activities.
Members of the band Trio Eletrico, Junto e Misturado (Electrical Trio, Together and Mixed), who prefer not to give their names for fear of police persecution, play music and dance in front of the Ministry of Culture of the City of Buenos Aires, Argentina. Several street artists and collectives gathered to protest a new government measure that would require them to obtain a permit in each city district. Most artists rotate among districts and believe this measure would prevent them from working.
Rogelio Gutiérrez, left, and Gabriel Ruiz López deconstruct palm-thatched shelters on the beach in Boca del Cielo in Chiapas, Mexico. Rising tides inundate the beach more often now, so shelters are taken apart to reuse the material.
Israel Tovar trains at a park in San Francisco, Nayarit, Mexico. Tovar performs freestyle football and has traveled throughout Mexico and Europe, where he worked on marketing campaigns. “I never thought about making money from this, but I discovered that I could make money out in the street, at the traffic lights in Monterrey,” Tovar says. “Then I realized I could make money anywhere in the world.”
Laura Rocha López, right, shows a miniature painting by Miguel Ortega, left, to a Facebook Live audience during a weekly radio program that features a wide range of guests in Irapuato, Guanajuato, Mexico. Ortega, who is a painter as well as a tattoo artist, writer and video game programmer, paints with a paintbrush attached to a bungee cord, which he holds with his mouth, thumb and index finger.
Dulce Santiz, 19, harvests mushrooms at her family home in Zacualpa Ecatepec, Mexico. Santiz typically waters them two times a day, depending on the weather, and her family sells them as a source of income.