Bangladesh
With conservatism on the rise, the capital’s third-gender and trans people retreat from public life, erasing the identities they once fought to display.
By Fabeha Monir Reporting Fellow
DHAKA, BANGLADESH — Early this year, dozens of men stormed the gate of a safe house for third-gender people.
Among the attackers were people who used to sympathize with the community, says Babuni, who was in the safe house at the time. They threw stones and broke windows. Babuni took important items from the home’s office — crests, certificates and photographs — and threw them in the nearest river. Then, she went into hiding.
It wasn’t always like this. Everything changed after the Monsoon Revolution, Babuni says. Since 2013, Bangladesh has allowed third-gender people to officially identify as such. Some even entered politics; a rural town elected a transgender woman as mayor in 2021. But the revolution in 2024, led by young people who demanded widespread political change, opened avenues for hardline conservatives to gain ground. Now, conservative Islamist groups threaten minorities — specifically LGBTQ+ people.
Naziya, a trans woman, says she welcomed political change, including the ouster of former Prime Minister Sheikh Hasina and the new interim government. But when she saw that LGBTQ+ people were increasingly at risk, she stopped identifying publicly as a woman. She cut her hair. With a growing beard, she doesn’t look in mirrors. She’s been attacked, she says, and has stopped going to university.
Sanjana Mehebuba, a trans woman, provides legal support for her community. She says third-gender people hesitate to report attacks against them to police. They fear being targeted.
“For many,” she says, “a simple complaint poses a life risk.”
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Fabeha Monir is a Shifting Democracies Fellow at Global Press Journal, based in Dhaka, Bangladesh. She is renowned for her compelling storytelling that intertwines photography, film and investigative reporting. Her work delves into pressing issues such as gender-based violence, labor rights, climate change and forced migration, amplifying the experiences of people in communities across South Asia.
Her work has been featured in prominent news outlets, including The New York Times, Bloomberg News, The Wall Street Journal and The Washington Post.
In 2024, Monir co-directed the short documentary The Taste of Honey, which garnered the Best Short Film Award at the Terni Film Festival in Italy and was officially selected for the Africa International Human Rights Film Festival. The film explores the lives of honey collectors in the Sundarbans, highlighting the intersection of environmental degradation and human rights.
Through her multifaceted storytelling, Fabeha continues to challenge narratives and provoke dialogue.